Top Quality

Top Quality

How can I make high quality 2 "x2" 35mm slides?

I need to take some quality 35mm slides of my artwork. These 2×2 slides are constantly being phased out and are being replaced by digital "slides" on a CD, but I need to know how to make 2×2 type to send a work of art shows that I am applying for a. I bought some 35mm film already. Its called "Elite Chrome. 200 films. For color slides ". Is it good movie? Is there a way to make a 2×2 slide with a digital camera instead of film? Is the quality good? From again, is that my slides will make me or break me. I'm competing against the slides of other artists. How do I create the slides in the best possible way for the jury?

Easy first question: No, do not slide show using the digital camera. You use the traditional camera (film camera). Elite Chrome is a good movie (I think Kodak, right?) is good for the art of copying. Generally lower ISO numbers are higher in contrast and colors comes stronger than the original. Now the hard part, making copies of works of art. Professionals tend to copy all stations. But since it may be too much, let's talk about making it better, no copy stations. First see the light of day. If the day is cloudy (but still brilliant) just put the image in approximately 45 degrees to a wall and take pictures with his movie camera (no flash). You can use the angle or so (as the use of an easel art). But the more near the image come to stay upright Hood more likely you get the darker area at the bottom. Just be careful that there is no strong color (grass green, red brick wall, etc) because they may throw some color in her artwork. You may also want to have a background color settings neutral (like a sheet) fair. You may also want to photography with and without the frame. Closer than what shows the view finder of the camera (because you always have the capture bit to the left, right, up and down which shows the view in the Finder. An SLR camera is the best because the regular point and Shoot P & S camera have Parallex (viewing angle of error). Experiment a bit and consider how much is too close and how much is too far (each camera is different). Now if you have a sunny day, do you have anything else to do. You have to create an artificial overcast day. You do it by throwing a white sheet (one sheet of paper) on the work of art (and you). The (white) creates a blanket effect overcast day. Remember that you must completely cover the work of art (such as inside a tent white). If you have somewhere that is open will get strong side (or top or bottom) of light in that direction. The reason why you want to do this is because outside of slide film balances the light of day. If you shoot indoors, you have to use 2 lights on the side of light (daylight balanced bulbs) or 2 flash (or more if the image is large). And you also have to worry about reflections and stuff. If your artwork is framed (under glass) is better to remove the glass. It is very difficult to photograph with glass and receives no reflection. It's also best if you use a tripod, but I was lucky a hand holding the camera. Just make sure that "brackets" his presentation. What this means that whatever you choose your camera, shoot once in the choice of camera exposure, overexposed and underexposed shot a shot (about 1 / 2 point each). So it goes to 3 shots per work of art (at least). See this link ==== http://www.rickleephoto.com/rlartcopying.htm He is mostly interested in doing things in the study. But much of what he says is true also for the outside (such as control of perspective, reflection, etc) would all be true, except the lighting (which is handled by the overcast daylight or white light / shop bed sheet – if applicable). Good Luck === Do not forget vote for the best answer – please – whoever it is. FACT: You also get 3 points when you vote for best answer

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